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Arveiller: Des Musicothérapies ( EAP-ESP, Issy-les-Moulineaux, 1980 ).Įdith Lecourt: La Musicothérapie ( PUF, Paris, 1988 )Ĭ Edith Lecourt: Music as a psychic elaboration of physical and relational vibrations, rhythms and sounds application to music therapy, private communication (2000) (Stockholm): Quid est sonus - quid est tonus (1991). Per-Olov Löwdin: On the origin of the tone system and the theory of harmony, Proc. Longuet-Higgins: The musical shoe: Rhythmical univers als in the world’s national anthems, Computer science Guest semi-nar at Sheffield University, 1987. Boden (edr), Mental Proces-ses: Studies in Cognitive Science (MIT Press, Cambridge, MA, 1987), chap. Longuet-Higgins: The perception of music, in M. Laurent Dukan: Systemic approach of the influence of classical music on the develop-ment of emotional intelligence ( European Center of Integrative Psychology, Paris, 2000 ).ĭaniel Goleman: Emotional Intelligence ( Bantam Books, New York, 1995 )Įric Berne: Transactional Analysis in Psychotherapy ( Grove Press, New York, 1961 ).Ī H. Raymond Daudel: Science and technology as an inspiration and support for artists and mu-sicians, private communication (2000). Raymond Dau-del and Nicole Lemaire (eds): La Science et la Métamorphose des Arts ( PUF, Paris, 1994 ) Nicole D’Aggagio: Sensual Hyperabstraction (Paris Art Center, 1985) Thanassis Moraitis: Prehistoric Mode and Polyphony in the Balkans ( Melpo Merlier Foundation, Athens, 2000 ).Ĭ Dimitrios Lekkas: Mathematical Theory of Music: Pythagorean System and Natural System (Thesis, University of Athens, 1995), Scholar

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Voos: Random fractal forgeries, NATO ASI Series F17, 805 (Springer-Verlag, 1985), and related studies on web pages: http: ///articles/rapports.html fnoise/.Ī Yorgos Delphis Koussanellos: Anthropologic basis of the search for harmony in the structure of the universe, private communication, Scholar Iannis Xenakis: Formalized Music: Thought and Mathematics in Composition ( Indiana University Press, Bloomington, 1962 )

Jean-Claude Risset: IRCAM Reports (Centre Pompidou, Paris, 1978–2002). Jean-Claude Risset: Perception of musical sound: Simulacra and illusions, in Integrated Human Brain Science ( Elsevier, Amsterdam, 2000 ), pp. Jean-Claude Risset: La musique et les sons ont-ils une forme? La Recherche 305, 98 (1998) Jean-Claude Risset: Paradoxical sounds: Additive synthesis of inharmonic tones, in Current Directions in Computer Music Research (MIT Press, 1989), pp. Jean-Claude Risset: Musical acoustics, in Handbook of Perception IV (Academic Press, 1978), pp. Jean-Claude Risset: An introductory catalog of computer synthesized sounds (Bell Lab. Jean-Claude Risset: Sur l’analyse, la synthèse et la perception des sons étudiées à l’aide de calculateurs électroniques (Thesis, Orsay, 1967), CNRS n° AO-1025 Roederer: The Physics and Psychophysics of Music (Springer-Verlag, 1994), and references therein. Ellis published by Dover, New York, 1954 ).

Hermann von Helmholtz: English translation by E. Hermann von Helmholtz: On the Sensations of Tone as a Physiological Basis for the Theory of Music ( Die Lehre von den Tonempfindungen, Berlin, 1875 Louis de Broglie: Recherches sur la Théorie des Quanta (Thesis, Paris Sorbonne, 1924), Ann. Jean Lattard: Gammes et Tempéraments (Diderot, Paris, 1997), and references therein. de Buzon published by PUF, Paris, 1987 ).

René Descartes: Abrégé de Musique ( Compendium Musicae, Utrecht, 1650 French translation by F. The flutes are displayed and played on the web site of the Brookhaven National Laboratory: http: //html. Juzhong Zhang, Garman Harbottle, Changsui Wang, and Zhaochen Kong: Oldest playable musical instrument found at Jiahu early neolithic site in China, Nature 401, 366 (1999).